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seven_pounds.jpgWhen choosing movies to see, I have one rule - no 'white poster movies'. What is a white poster movie, I hear you ask? Quite simply, they are movies where the poster says absolutely nothing about what you're invited to see, opting instead for a major shot of the big drawcard celeb(s) instead. White posters betray that the prime selling point for a film is the name actor and not the abysmal script or shoddy direction.

Moon: Out of this world!

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It took a while to be released in Australia, but finally I've seen Moon (imdb) - one of my most anticipated films of this year. It's usual with highly anticipated films to feel disappointed as the final result can very rarely live up to the expectations that grow in the imagination.

Moon is not one of those films.

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After all the stuff I wrote about the Watchmen film over the last few months, I guess it would only be sporting to report my eventual thoughts after seeing the nearly three hour bum-numb-er last week. But, as always, my thoughts can't simply be confined to a straight-forward review. The Watchmen movie, and recent comments from its writer, screams for a more detailed dissection of the cultural ideology of the superhero genre and can throw up some uncomfortable conclusions.

Joyeux Noel

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Every December, Hollywood unleashes the Christmas family films. Last year, it was Fred Claus, a desperately unfunny romp. Before that came Elf and the Santa Clause trilogy and Deck the Halls and a host of other completely forgettable films. All these  films drench the,selves in the same shallow paraphenalia of Christmas hokum, the Christmas village at the North Pole, the elves in the toy factory, every house festooned Griswald-fashion with fairy lights, schmaltzy family warmth and so on.

Script by Vincent Ngo and Vince Gilligan

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I don’t think anyone was surprised that the new Will Smith vehicle, ‘Hancock’ smashed the $100 million barrier on its opening weekend in the States. This creates a new record for Smith, the first star to have eight consecutive openings gross over $100 million. But what will be more interesting will be to see how the public reacts after seeing the film.

We saw the film last night and we’re rather surprised at how unrepresentative the trailer turned out to be. The first half of the film contains all the humour (most of which was in the trailer) while the second half turns to much darker territory – threatening to become a standard superhero flick with barely a laugh in sight. Of course, I’m not going to give away the twist here that signals the complete change in tone, but it is there, is unexpected and I know my family felt we had seen a different film to what we expected.

Who Am I?

The name's Crossfield - Jonathan Crossfield - Communications sharp-shooter for Netregistry and intrepid journo for Nett Magazine. Some folks say I rant a lot, but someone's gotta put the rest of you straight!

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