<?xml version="1.0" encoding="utf-8"?>
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    <title>CopyWrite</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/" />
    <link rel="self" type="application/atom+xml" href="http://www.jonathancrossfield.com/blog/atom.xml" />
    <id>tag:www.jonathancrossfield.com,2007-10-16:/blog/1</id>
    <updated>2009-09-11T00:55:04Z</updated>
    <subtitle>Ramblings from a writer&apos;s desk. Discussions and articles on copywriting, scriptwriting, comic writing, online writing and SEO, interspersed with reviews of recent movies, books and whatever else catches my interest from a writer&apos;s viewpoint.</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Pro 4.31-en</generator>

<entry>
    <title>Heritage media: Can they really be that ignorant?</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/09/heritage-media-can-they-really-be-that-ignorant.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.257</id>

    <published>2009-09-11T00:03:16Z</published>
    <updated>2009-09-11T00:55:04Z</updated>

    <summary><![CDATA[Those in charge of heritage media again revealed today how little they understand the internet and that they are unwilling to adapt. At least, that's how it would appear on the face of it.

News.com.au reported on the speech by APN News &amp; Media chief executive&nbsp;Brendan Hopkins at the Pacific Area Newspaper Publishers' Association conference (PANPA).]]></summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Online Marketing" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="heritagemedia" label="heritage media" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="newsltd" label="News Ltd" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="searchengines" label="Search engines" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[ <span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/head-in-sand.jpg"><img alt="head-in-sand.jpg" src="http://www.jonathancrossfield.com/blog/images/head-in-sand-thumb-250x197.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="197" width="250" /></a></span><p>Those in charge of heritage media again revealed today how little they understand the internet and that they are unwilling to adapt. At least, that's how it would appear on the face of it.</p>

<p>News.com.au <a href="http://www.news.com.au/business/story/0,27753,26053970-462,00.html">reported</a> on the speech by APN News &amp; Media chief executive&nbsp;Brendan Hopkins at the Pacific Area Newspaper Publishers' Association conference (<a href="http://www.jonathancrossfield.com/mt-static/html/%E2%80%9Dhttp://www.panpa.org.au/%E2%80%9D">PANPA</a>). The glee with which the speech was reported by News Ltd sites was not entirely unsurprising, given their recent push to begin charging for content on their websites.</p>

<p>Hopkins told the conference:</p>

<blockquote><p>We don't need to be reborn, we just need to be paid properly for what we do.</p></blockquote>

<p>...thereby clearly setting out a protectionist agenda, hanging onto the old model rather than adapting to a new one. It echoes similar recent speeches by <a href="http://www.nytimes.com/2009/08/10/business/media/10carr.html">Rupert Murdoch</a>, his son <a href="http://www.guardian.co.uk/media/2009/aug/28/james-murdoch-bbc-mactaggart-edinburgh-tv-festival">James</a> and other newspaper heavyweights with more ink than digital awareness in their veins. The quote roughly translates to "We don't need to change. Everybody else needs to change! The internet needs to change!"</p>

<p>Most of the venom was saved up for the search engines.</p>

<blockquote><p>To use an analogy, I see search engines as breaking into our homes, itemising the contents, walking out and listing everything for everyone to see. And they get money out of that process.</p></blockquote>

<p>The analogy of search engines "breaking into homes and stealing content" is as misguided a comment as I've ever heard from someone whose business future relies on this digital space. Search engines are no more stealing content than the newsagent who also makes money by providing a channel for consumers to access newspapers. The search engines - just like the newsagents - are the distribution model any publication needs. They aren't copying information. They aren't stealing content. They are providing links directly to the news sites by assisting the readers to find the newspaper stories they want to read.</p>

<p>The most the search engines ever reproduce is about a paragraph of text as an extract to provide context to the link. Yet, even the content of this paragraph is under the control of the webpage in question - if the owners ever spent five minutes reading how search engines gather information.</p>

<p>If the newspaper companies really don't want Google or Yahoo or any other search engine to make money off providing a free distribution service for their content, they should get their webmaster to add a robots.txt file to each page of the website. This would prevent the search engines from crawling the pages and remove them from the indices. Their content will no longer appear in Google or Yahoo or whoever else has got their goat up by daring to point interested readers to their ungrateful website. Simple. It's the newspaper proprietor's choice to let them in or lock them out - to follow the terrible analogy.</p> 

<p>Another comment leapt out as particularly daft.</p>

<blockquote><p>Industry group The Newspaper Works, which is chaired by Mr Hopkins, is seeking talks with search providers on the issue.</p>

<p>A recent agreement between YouTube and the music industry, which will see YouTube owner Google pay the Performing Rights Society for use of music videos, provides a blueprint for those talks, Mr Hopkins said.</p></blockquote>

<p>I think I know why the talks with the search providers haven't happened yet. They need to stop laughing first.</p>

<p>YouTube does not serve as a directory of content extracts and links - the content is reproduced and contained complete within the site. Unlike search engines, a music video on YouTube doesn't give you a couple of bars of the latest hit before providing a link to the record company website to view the song in its entirety. As the music content is viewed completely within YouTube, without any flow of traffic  to the content producer, it is only right that an arrangement be made to share any revenue created by that content.</p>

<p>But search engines do not reproduce complete content! I think that needs repeating. Search engines are not content providers! They are merely the directory for users to find content on the sites run by the original content providers. It's like refusing to list your business in the Yellow Pages because you don't want them to make money off your business details.</p>


<p>But is any news boss idiotic enough to switch off one of the website's primary sources of traffic? Of course not! So what's really going on here?</p>

<h2>They can't be THAT stupid</h2>

<p>I'm not convinced that these newspaper bosses are that ignorant about how the world works. They have legions of talented people below them in their digital divisions who would know how search engines work and how important they are to any business model. They must know that the YouTube argument is a straw man. There must be internal data that shows how important the search engines are to their bottom line in driving traffic to their ad-filled pages. The fact those ad-filled pages are not producing a suitable revenue model is not the fault of the search engines that have certainly done their bit.</p>

<p>So why this continual hammering away with an argument they know to be flawed?</p>

<p>I don't think this is about getting the search engines to change. I don't think these speeches are directed at the newspaper men in the room (who would all be aware of the same flaws in the logic) or those IT news services that flock to report on such things. I think these comments are aimed purely at the readers of News.com.au and related sites. They're designed to be reported on those same papers. They are a deliberate attempt to muddy the facts so that readers see some justification in the move towards monetising online news content. It's propaganda.</p>

<p>This is a public relations battle, not a technological one. It doesn't matter how search engines work or how classified ads will never be the same again if the wider public feels there is a case to answer. This is, pure and simple, an attempt to convince their readers that it is reasonable to charge. Reality doesn't matter if public perception believes something else to be true. If sentiment shifts even slightly in their favour, it will make the job of bringing in a paywall that much easier.</p>

<p>These speeches are aimed at those readers who don't understand search engine technology, indexing, spiders, link strategies, advertising models and online content distribution. For it is with those readers that the battle over paid news content will be fought.</p>
<p>Then again - what do I know? I'm just one of those plagiarising, inaccurate, uninformed bloggers <a href="http://mumbrella.com.au/hartigan-journalism-not-the-limited-intellectual-value-of-blogs-is-the-future-of-the-web-7306">John Hartigan</a> (CEO of News Ltd - I'll leave you to join the dots) criticised so venomously back in July.</p>
<blockquote><p>In return for their free content, we pretty much get what we’ve paid
for – something of such limited intellectual value as to be barely
discernible from massive ignorance</p></blockquote>

<p>If it's ignorance you're looking for, the News Ltd approach to search engines has it covered.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Social Media: Threadless fall victim to their own success</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/09/threadless-fall-victim-to-success.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.256</id>

    <published>2009-09-10T03:33:01Z</published>
    <updated>2009-09-10T20:36:43Z</updated>

    <summary>

Yes, your social media campaign can be TOO successful. Ask anyone who&apos;s suffered &quot;the Digg effect&quot; - when popularity on Digg grows so fast and large that traffic crashes the server - and the risk is clear.

Threadless have suffered the results of their own success a couple of times.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="casestudy" label="case study" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="digg" label="Digg" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marketing" label="marketing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmedia" label="social media" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="threadless" label="Threadless" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="threadless.jpg" src="http://www.jonathancrossfield.com/blog/images/threadless.jpg" class="mt-image-right" style="margin: 0pt 0pt 20px 20px; float: right;" height="204" width="250" /></span>

<p><b>(Updated)</b></p><p>Yes, your social media campaign can be TOO successful. Ask anyone who's suffered "<a href="http://www.readwriteweb.com/archives/the_digg_effect.php">the Digg effect</a>" - when popularity on Digg grows so fast and large that traffic crashes the server - and the risk is clear.</p>

<p><a href="http://www.threadless.com/">Threadless</a> have suffered their own success a couple of times. Their Spring sale in March 2008 resulted in <a href="http://hideyourarms.com/2008/03/21/threadless-went-down-so-you-get-a-coupon/">serious server downtime</a>, resulting in the offer of $50 vouchers to inconvenienced customers and the fate-tempting promise "...to never ever let this happen again forever ever."</p>

<p>It seems "forever" equals about eighteen months (assuming there aren't other outages I've missed). This time, a special one day sale to tie into the 09/09/09 date saw Threadless pummelled by insane amounts of traffic.</p>
<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/threadless-ohcrap.jpg"><img alt="threadless-ohcrap.jpg" src="http://www.jonathancrossfield.com/blog/assets_c/2009/09/threadless-ohcrap-thumb-500x229.jpg" class="mt-image-center" style="margin: 0pt auto 20px; text-align: center; display: block;" height="229" width="500" /></a></span>

<p>Announcing all t-shirts would be $9 only, and creating a competition for anyone who retweeted the sale on Twitter to win a voucher, social media soon spread the message to hundreds of thousands of people extremely quickly. Each new posting resulted in more clicks through to the site. I first tried to access the site yesterday afternoon (early am in the US and near the start of the promotion) only to be met with the tell-tale "down for maintenance" screen. Repeated attempts throughout the day were no different. Unlike Twitter outages, which usually last minutes, users reported inability to access the site for extended periods - some never getting through.</p>

<p>Talk of Threadless being down spread just as quickly as the sale. Others <a href="http://www.threadless.com/profile/949168/agrimony/blog/499573/meh_fml">mentioned</a> how they would be part way through a transaction before the system would fail on them. All those transactions missed - all those customers left disappointed.</p>

<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/salefail.jpg"><img alt="salefail.jpg" src="http://www.jonathancrossfield.com/blog/images/salefail-thumb-350x230.jpg" class="mt-image-left" style="margin: 20px 20px 20px 0pt; float: left;" height="250" width="350" /></a></span>

<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/soldouttweet.jpg"><img alt="soldouttweet.jpg" src="http://www.jonathancrossfield.com/blog/assets_c/2009/09/soldouttweet-thumb-350x254.jpg" class="mt-image-right" style="margin: 20px 0pt 20px 20px; float: right;" height="254" width="350" /></a></span>

<p>Let's not be coy - this is a problem I'm sure most businesses would love to have to grapple with. I'm sure Threadless still sold enough t-shirts in one day to carpet Europe. But for many people, their first experience of Threadless was frustrating and others may feel their customer experience was far from ideal.</p>

<p>Threadless is built on a social networking model. Users vote for the t-shirt designs they want to see printed, crowdsourcing products people really want to buy. Therefore, it strikes me as strange that Threadless hasn't learned how to manage wildly fluctuating levels of traffic in their infrastructure. To me, that's just as much a social media failure as inauthentic behaviour, broadcasting, spamming or other SM marketing no-nos. The customer experience was impacted by a lack of planning - something that should have been addressed after the previous sale problems.</p>

<p>Threadless is big and popular enough that this won't seriously impact them. But as an illustration of how a lack of fundamental planning and infrastructure can derail even the best campaign, this serves as a warning to others who can't afford to miss sales and lose customers so readily.</p><p><br /></p>
<a href="#1"></a>
<p>UPDATE: Threadless today sent out an email to all their customers.</p>
<blockquote><p>Thanks to everyone for sticking with us during our technical tribulations early in this sale! We've since fixed the issue (ninjas) and to make up for it, we're extending the sale until 4 pm ct today (9/10/09)! We've also restocked some reprints and added some new designs...</p></blockquote>]]>
        
    </content>
</entry>

<entry>
    <title>Don&apos;t interrupt - creative genius at work!</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/09/dont-interrupt-creative-genius-at-work.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.255</id>

    <published>2009-09-08T06:18:55Z</published>
    <updated>2009-09-09T10:03:54Z</updated>

    <summary>


Writers are a solitary breed. We hide in dimly lit rooms, our features cast into dramatic relief by the flickering monitor light as we continually tap tap tap our RSI addled fingers against besymboled (is that a word? It is now!) squares of plastic. This is where we live, undisturbed (if we&apos;re lucky), only rising and engaging with the wider world to make a sandwich or reheat old coffee from the gargantuan pot. </summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="General Writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="writing" label="writing" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/3706049337_bfb2b312e2.jpg"><img alt="3706049337_bfb2b312e2.jpg" src="http://www.jonathancrossfield.com/blog/images/3706049337_bfb2b312e2-thumb-250x187.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="187" width="250" /></a>
</span>

<p>Writers are a solitary breed. We hide in dimly lit rooms, our features cast into dramatic relief by the flickering monitor light as we continually tap tap tap our RSI addled fingers against besymboled (is that a word? It is now!) squares of plastic. This is where we live, undisturbed (if we're lucky), only rising and engaging with the wider world to make a sandwich or reheat old coffee from the gargantuan pot. </p>

<p>That part of us we force to the surface at parties and family gatherings, dancing on the coffee table after one too many whiskeys, is not us. We would much rather be alone with our thoughts, formulating ideas and developing prose. Left alone.</p>

<p>You may protest. You may disagree, convinced that you are the extroverted party animal, able to befriend large rooms of strangers in a single anecdote, with a social calendar too long to pin to the front of the fridge and a first name relationship with every barman in town. Yet I am convinced that all writers share a tendency for seclusion and introspection. We may hide this trait, we may construct a facade of ebullience, but a true writer dreams of those quiet early morning hours alone with their words and ideas.</p>

<p>Be honest! How many times have you been at a party, social gathering or similar occasion only to become distracted with an idea that enters your head. Suddenly, you're not listening as much as you were, your mind already composing and preparing for the keyboard instead of exchanging pleasantries with Barry from accounts. How many times do you find yourself observing events and watching people, rather than being the centre of attention?</p>

<p>To be able to write effectively, there needs to be a part of us that wants to be on the outside, looking in. We can't comment on the world if we don't analyse, study and observe and we can't do any of those things if we are at the centre of things.</p>

<p>So we end up slightly disconnected from our surroundings. Later, alone and shut away with half-formed plots and coalescing insights, wrestling with linguistic conundrums long after our partners have gone to bed, we make sense of our observations. How could an extroverted social whirlwind ever feel comfortable confined to a creaking office chair with only a flashing cursor for company? Who would choose that life unless they found comfort in blotting out the surrounding world and living inside the imagination for hours on end?</p>

<h2>Leave me alone!</h2>

<p>I work in a busy office for eight hours a day, writing articles, honing copy and crafting content. The challenge for me is staying focused with the continual interruptions that come with an office. The phones, co-workers needing answers, the unending meetings! Rarely do I find myself able to write more than a few sentences without an urgent email winking at me for immediate response or another task encroaching on my attention.</p>

<p>I resort to blocking out the distractions with movie soundtracks on the iPod, only for other members of the marketing team to end up waving at me furiously to distract my attention when they're... Damn, how was that sentence going to end? </p>

<p>For brilliant writing doesn't happen in two minute bursts. Stop-start creativity results in stilted, functional but bland copy. Any writer will tell you that the first words they write in every creative session are rubbish. It takes a while of plugging away, getting into 'the zone' before the true creativity takes over, inspiration explodes and genuinely arresting lines appear on the screen. Those first few tentative paragraphs usually end up deleted, merely the warm-up exercises as the linguistic muscles began the workout.</p>

<p>So imagine the struggle when a writer doesn't have the luxury of focusing for a long period to reach that highly productive and inspired state? This is why interruption - no matter how innocent or trivial - is like a bucket of cold water. We're snapped out of the creative trance, the thoughts scattering in the harsh light to hide in the various dusty and cluttered niches of the mind. Trying to coax those ideas back out when we return to the screen can sometimes be frustrating - we know we were on the cusp of brilliance, the few words that would elevate the prose to greatness. But it's gone - lost; the vague impression of an idea left behind, taunting our imagination with the sense that whatever reaches the page now will not equal what could have been.</p>

<p>This is why writers are solitary creatures. This is why we stare into space and ignore those of you trying to catch our eye. This is why we sometimes don't answer the phone when you know we're at home. This is why the IT person who just sat next to me to discuss the marketing computer system as I was typing the last sentence got a very slow and disinterested response from me.</p>

<p>Damn, what was that perfect last line I was going to finish on? It was so much better than this one!</p>
(Image credit: <a rel="cc:attributionURL" href="http://www.flickr.com/photos/amypalko/">http://www.flickr.com/photos/amypalko/</a> / <a rel="license" href="http://creativecommons.org/licenses/by-nc-sa/2.0/">CC BY-NC-SA 2.0</a>)]]>
        
    </content>
</entry>

<entry>
    <title>Knowledge Management Roundtable: The social web for business</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/09/the-social-web-for-business.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.254</id>

    <published>2009-09-01T03:52:07Z</published>
    <updated>2009-09-01T04:22:32Z</updated>

    <summary>Last week, I was honoured to be invited to speak at the Sydney meeting of the Knowledge Management Roundtable (#KMRT). This group of big business and government bodies meet regularly to swap best-practice and develop new knowledge management solutions in this high-tech fat-forward world we live in.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="business" label="business" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="dell" label="Dell" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="knowledgemanagementroundtable" label="Knowledge Management roundtable" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="slideshare" label="Slideshare" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmedia" label="social media" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="starbucks" label="Starbucks" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="Thumbnail image for iStock_000009648196XSmall.jpg" src="http://www.jonathancrossfield.com/blog/images/iStock_000009648196XSmall-thumb-250x165.jpg" class="mt-image-right" style="margin: 0pt 0pt 20px 20px; float: right;" height="165" width="250" /></span><p>Last week, I was honoured to be invited to speak at the Sydney meeting of the <a href="http://www.sirfrt.com.au/wikis/kmrtnsw/index.php/Main_Page">Knowledge Management Roundtable</a> (<a href="http://search.twitter.com/search?q=%23kmrt">#KMRT</a>). This group of big business and government bodies meet regularly to swap best-practice and develop new knowledge management solutions in this high-tech fat-forward world we live in.</p>

<p>The presentation I gave was titled <i>The Social Web for Business</i>, with a particular focus on Twitter. I've now created a Slideshare-friendly version and updated some of the slides for brevity, so that the rest of you can have a butchers'.</p>

<p>If you're already all over Twitter, you may find some of this rather basic. If, on the other hand, you want some good arguments to take to the boss or just don't 'get' what it's all about, this could be a good starting point.</p>

<div align="center"> 

<div style="width: 425px; text-align: left;" id="__ss_1935173"><a style="margin: 12px 0pt 3px; font-family: Helvetica,Arial,Sans-serif; font-style: normal; font-variant: normal; font-weight: normal; font-size: 14px; line-height: normal; font-size-adjust: none; font-stretch: normal; display: block; text-decoration: underline;" href="http://www.slideshare.net/Jonathan_Crossfield/social-media-for-business-1935173" title="The Social Web for Business">The Social Web for Business</a><object style="margin: 0px;" height="355" width="425"><param name="movie" value="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=knowledgeroundtablepresentationslideshareversion2-090831225109-phpapp02&amp;stripped_title=social-media-for-business-1935173" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><embed src="http://static.slidesharecdn.com/swf/ssplayer2.swf?doc=knowledgeroundtablepresentationslideshareversion2-090831225109-phpapp02&amp;stripped_title=social-media-for-business-1935173" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="355" width="425"></object><div style="font-size: 11px; font-family: tahoma,arial; height: 26px; padding-top: 2px;">View more <a style="text-decoration: underline;" href="http://www.slideshare.net/">presentations</a> from <a style="text-decoration: underline;" href="http://www.slideshare.net/Jonathan_Crossfield">Jonathan_Crossfield</a>.</div></div>
</div>

<p>In two weeks time, I'll be speaking on <em>The Social Web for Small Business</em> at <a href="http://thebrew.com.au/sydney_small_biz_expos">The Sydney Small Business Expo</a>, presented by The Brew. Dates are:</p>

<p>Tuesday 15th September - Cronulla Sutherland Leagues Club, Captain Cook Drive, Cronulla 2230</p>
<p>Wednesday 16th September - Liverpool Catholic Club, Hoxton Park Road, Liverpool West, 2170</p>
<p>Thursday 17th September - Dougherty Community Centre, 7 Victor Street, Chatswood, 2067</p>

<p>If you're looking for advice more specifically aimed at small business, instead of major global brands as in the above presentation, come along!</p>]]>
        
    </content>
</entry>

<entry>
    <title>Why Cotton On should watch Network: &quot;I&apos;m as mad as hell!&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/why-cotton-on-should-watch-network.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.253</id>

    <published>2009-08-22T03:53:24Z</published>
    <updated>2009-08-22T05:41:24Z</updated>

    <summary>It&apos;s been 33 years since Network was released by MGM and went on to win four Oscars. Yet it seems strangely prescient for how social media and the internet have changed everything - with a particular warning for business. Cotton On recently found themselves on the receiving end of their own Howard Beale moment with consequences for their brand.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="cottonon" label="Cotton On" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="network" label="Network" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmedia" label="social media" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="cottononnetwork.jpg" src="http://www.jonathancrossfield.com/blog/images/cottononnetwork.jpg" width="250" height="200" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></span><p>It's been 33 years since <i><a href="http://www.imdb.com/title/tt0074958/">Network</a></i> was released by MGM and went on to win four Oscars. Yet it seems strangely prescient for how social media and the internet have changed everything - with a particular warning for business. <a href="http://www.cottonon.com.au">Cotton On</a> recently found themselves on the receiving end of their own Howard Beale moment with consequences for their brand.</p>

<p>Although the <i>Network</i> of the title refers to 1970s big business television, the central premise could now easily be applied to social networking and the power of the individual. View this short scene - the speech that won Peter Finch his Oscar.</p> 

<div align="center">
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</div> 

<p><br /></p><p>Finch's Howard Beale character is able to share his anger with the audience because he has the power of the broadcast network behind him - something that, back then, was open only to a privileged few. But consider how, today, anyone with an internet connection has a similar ability to broadcast their anger, share their complaint and virally whip up dissent and this film becomes particularly relevant.</p>

<p>The marketing and PR departments at Cotton On - the Australian clothing manufacturer and retailer - were taken completely by surprise when one complaint turned into a public outcry and media circus. For the full background, I advise you read Mia Freedman's post - <a href="http://mamamia.com.au/weblog/2009/08/are-cotton-on-on-crack.html">Cotton On - are you on CRACK</a> - over at <a href="http://mamamia.com.au/">Mamamia.com.au</a>. There, she describes how a complaint from a customer about their offensive baby clothing range was met with indifference.</p>

<p>After all - what can one complaining customer do - right? Ignore the whingers, right? There'll always be one, right?</p>

<h2>"Go to your windows and shout I'm as mad as hell"</h2>

<p>I'm not debating here the issues about a t-shirt poking fun at child abuse - the topic is better discussed elsewhere. What I am discussing here is how this story grew and how Cotton On completely failed in their reaction to it.</p>

<p>When Freedman (<a href="http://twitter.com/miafreedman/">@miafreedman</a>) blogged the story and pushed it into Twitter, others who had never seen the offending clothing range became involved. Freedman became a modern Howard Beale and broadcast her anger to a wide audience in seconds. Within hours, #cottononaresick became a popular Twitter hashtag conversation with more Twitter users - and as a result more bloggers - leaping onto the cause. (An especially strong post was posted by Caroline Overington at <i>The Punch</i> - <a href="http://www.thepunch.com.au/articles/cotton-on-slogan-not-such-a-laugh/">Cotton On thinks child abuse is funny: meet Lincoln</a>)</p>

<p>As the anger grew, and one voice turned into two, then five, then a tumult, Cotton On remained silent. Their Twitter page was quiet - not a single tweet to engage and discuss with those demanding a response. (Over a week later, Cotton On have been notably inactive on Twitter, with only one new tweet promoting Father's Day.)</p><p></p><span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/cottonon2.jpg"><img alt="cottonon2.jpg" src="http://www.jonathancrossfield.com/blog/images/cottonon2-thumb-500x314.jpg" width="500" height="314" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></a></span><p></p>

<p>Now hundreds of people were commenting on the story. Customers were calling for a boycott and sharing details about how best to lodge complaints, pooling resources to create the maximum noise. This was an angry crowd determined to be heard and using social networking to organise and band together. Yet, Cotton On seemed to be praying that if they ignored them long enough, it would go away.</p>

<p>After all, it's just Twitter, right? These are just a few angry people, right? We're way bigger than they are, right? No one takes these over-reacting bloggers seriously, right?</p>

<h2>The bloggers get taken seriously</h2>

<p>It wasn't long before journalists came across the story. Soon after, it made the front pages of many newspaper websites - with the added observation that Cotton On wasn't currently commenting to journalists. A few hundred people on Twitter suddenly became thousands upon thousands exposed to the story. A complaint from a single consumer, championed and broadcast by another (Freedman), had now made it to the major news websites with a massive following of outrage in just a few hours.</p>

<p>By late afternoon, the inevitable back-down occurred. <i>The Australian</i> reported it first - <a href="http://www.theaustralian.news.com.au/story/0,25197,25928648-601,00.html">Cotton On Vows to Withdraw Offensive Tshirts</a>.</p>

<span class="mt-enclosure mt-enclosure-image"><a href="http://www.theaustralian.news.com.au/story/0,25197,25928648-601,00.html"><img alt="australianheadline.jpg" src="http://www.jonathancrossfield.com/blog/images/australianheadline-thumb-500x214.jpg" width="500" height="214" class="mt-image-center" style="text-align: center; display: block; margin: 0 auto 20px;" /></a></span>

<h2>Lessons</h2>

<p>So what should Cotton On have done? What lessons can be learned from this case study?</p>

<p>Primarily, it illustrates that treating consumers as a mass market and working the percentages is no longer an appropriate business model. The prevalent idea that a small number of unhappy customers is acceptable as long as everyone else keeps spending money, fails to recognise how that small dissatisfaction can now grow virally into a real business threat. Now that customers can also reach thousands of people as quickly and easily as corporations, the relationship with each and every individual becomes important. No one can be ignored or dismissed or fobbed off. You never know just how influential they may turn out to be online.</p>

<p>This isn't to say that every customer should be able to hold a company to ransom and that every complaint has merit - but an intelligent business should be able to recognise the difference. Yet, even when a complaint cannot reasonably be dealt with, many disgruntled customers can be appeased merely by being shown that they have been heard, and their opinions respected. Above all, responses should be swift and <a href="http://www.jonathancrossfield.com/blog/2009/08/stop-trying-to-automate-relationships.html">human</a> - not an automated form letter or legalese. Preferably, this response should happen where the complaint or conversation is happening. If the outcry is on Twitter, engage with them there. If in the press, engage there. Comment on the blogs, reply to the emails. Don't simply send out a carefully worded press release vetted by five departments to a couple of newspapers when the heat gets too much.</p><p>Cotton On's Twitter page is a perfect example of a big brand missing the point of social networking. By merely using it as a broadcast platform for promotions, and never to respond or engage with customers, it demonstrates that they have yet to discover that the internet is a two-way medium. By failing to realise they are no longer the sole voice in the conversation, Cotton On could easily repeat the same mistake again.</p><p>Like Howard Beale, we will continue getting mad and continue to shout our anger out of windows. We have our own Network now and we know how to use it to be heard.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Marketing: Lies, damn lies and statistics</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/marketing-lies-damn-lies-and-statistics.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.252</id>

    <published>2009-08-17T00:30:56Z</published>
    <updated>2009-08-17T00:30:27Z</updated>

    <summary>As technology has provided better and faster ways of tracking a customer&apos;s response to a given marketing campaign, the industry has increasingly become obsessed with numbers. This link resulted in this number of conversions. That direct mail piece resulted in that many phone calls. These poll respondents said this about the brand.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Marketing" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="marketing" label="marketing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="numbers" label="numbers" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="westwing" label="West Wing" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="Thumbnail image for statistics.png" src="http://www.jonathancrossfield.com/blog/images/statistics-thumb-250x250.png" class="mt-image-right" style="margin: 0pt 0pt 10px 20px; float: right;" height="250" width="250" /></span><p>As technology has provided better and faster ways of tracking a customer's response to a given marketing campaign, the industry has increasingly become obsessed with numbers. This link resulted in this number of conversions. That direct mail piece resulted in that many phone calls. These poll respondents said this about the brand.</p>

<p>We like numbers. There is a feeling of security in being able to point to numbers to report, with apparent accuracy,&nbsp; the success or failure of a particular task. It allows us to make confident decisions - yes to that strategy, no to that campaign - safe in the fact the numbers predict the likely outcome.</p>

<p>But numbers can lie. These numbers that we base expensive, business-changing decisions on can lead us onto completely the wrong path.</p>

<p>I was inspired to think about our obsession with numbers to justify everything on watching this scene from <i>The West Wing</i>. What Joey Lucas - the hearing impaired White House pollster - explains is how it is very easy for numbers to trick you into the wrong conclusion. Josh was concerned how five congressional districts would react to the announcement of a five day waiting period on guns. He wants to predict how the White House stance on guns could influence voter behaviour in those five marginal districts.</p>

<div align="center">
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</div>

<p><br /></p><p>Part of the role of marketing is to sway target audience opinion towards the message that leads them to your product. If a marketing campaign fails because of the numbers, does it mean you should scrap the campaign, change the product or modify the sales process? Nine times out of ten, businesses will assume bad responses to a marketing campaign means the campaign was bad and the agency or marketing team gets it in the neck. </p>

<p>But that might not be what the numbers are saying. The numbers may be saying 'we want to buy, but the sales process is poor' or 'we would buy, if the product did this instead of that'.</p><p>We need to look past the numbers. This is where it becomes imperative to have a strong culture of listening to your audience - and I don't just mean in your established one-way channels like your feedback form on your website. If the numbers can't tell you whether the poor numbers are due to product, sales or marketing, maybe the way customers are talking about it elsewhere will. Are bloggers criticising the product? Is Twitter awash with tweets ridiculing the marketing? Are the sales team getting regular complaints from people unable to complete the transaction?</p><p>Only by listening wherever your customers congregate and continuing to ask questions would you gain the context to the cold statistics that can lead to a more accurate interpretation of what they really mean.</p>

<p>Be careful of numbers. They could be telling you something completely different to what you think they are. </p>]]>
        
    </content>
</entry>

<entry>
    <title>Twitter - the Movie</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/twitter-the-movie.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.251</id>

    <published>2009-08-14T12:57:14Z</published>
    <updated>2009-08-14T21:31:07Z</updated>

    <summary>Can&apos;t claim any credit for this one. Catherine White (@DivineMissWhite) put this out on her blog, but I laughed so hard, I think I should also share it here.

It&apos;s funny, cause it&apos;s true!</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="twitter" label="Twitter" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<p>Can't claim any credit for this one. Catherine White (<a href="http://www.twitter.com/DivineMissWhite">@DivineMissWhite</a>) discovered this Rove sketch and put this out on her <a href="http://catherinewhite.wordpress.com/2009/08/14/twitter-movie/">blog</a>, but I enjoyed it so much, I think I should also share it here.</p>

<p>It's funny, cause it's true!</p>

<div align="center"><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/0bO2dHlGQRE&amp;rel=0&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;feature=player_embedded&amp;fs=1" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><embed src="http://www.youtube.com/v/0bO2dHlGQRE&amp;rel=0&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" width="425" height="344"></object> </div>]]>
        
    </content>
</entry>

<entry>
    <title>Without story, you have nothing</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/without-story-you-have-nothing.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.250</id>

    <published>2009-08-12T00:42:09Z</published>
    <updated>2009-08-12T01:33:22Z</updated>

    <summary>As writers, we often obsess about words: grammar, usage, style, and more. As marketers, we often obsess about the production: the printing stock, the design, the colours, the medium. But none of these things are important if we don&apos;t have a strong story at the centre.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="General Writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="story" label="Story" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="ukrainesgottalent" label="Ukraine&apos;s got talent" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<p>As writers, we often obsess about words: grammar, usage, style, and more. As marketers, we often obsess about the production: the printing stock, the design, the colours, the medium. But none of these things are important if we don't have a strong story at the centre.</p>

<p>The following video,  from <i>Ukraine's Got Talent</i>, has already been getting some mileage online. I first came across it yesterday over at <a href="http://jyesmith.com/beyond-imagination/2009/08/11/">Jye Smith's blog</a> and then again today at <a href="http://www.servantofchaos.com/2009/08/crowd-sourcing-talent---storytelling-with-kseniya-simonova.html">Servant of Chaos</a>. What it demonstrates to me is that medium means nothing. This amazing video uses sand - not words, not printing, not a webpage or any other kind of traditional medium - to tell a story. </p>

<div align="center"> <object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/518XP8prwZo&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en&amp;feature=player_embedded&amp;fs=1" /><param name="allowFullScreen" value="true" /><param name="allowScriptAccess" value="always" /><embed src="http://www.youtube.com/v/518XP8prwZo&amp;color1=0xb1b1b1&amp;color2=0xcfcfcf&amp;hl=en&amp;feature=player_embedded&amp;fs=1" type="application/x-shockwave-flash" allowfullscreen="true" allowscriptaccess="always" height="344" width="425"></object></div>

<p><br /></p><p>Without a strong story that connects with an audience, this would just be a bunch of sand pushed around a table, no matter how pretty. Yet too often we see pieces of writing or marketing ideas that are the equivalent of just pushing words around or playing with neat designs or online gimmicks without that strong idea and message underneath.</p><p>If the story is strong enough, the medium no longer matters. A good story will be powerful and emotive whether conveyed in a book, on screen, in a marketing pamphlet or even in sand. Don't get blinded by the medium and forget the story underneath.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Stop trying to automate relationships!</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/stop-trying-to-automate-relationships.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.249</id>

    <published>2009-08-11T03:42:41Z</published>
    <updated>2009-08-11T04:51:07Z</updated>

    <summary> Have you ever known someone who gives a pet name to their car and talks about it as if it was a real person? If you&apos;re like me, you think they&apos;re slightly kooky for imbuing a pile of machinery with a personality and building an emotional attachment with it. But many businesses continue to expect all their customers to be equally illogical by expecting them to form relationships with a brand while only providing them with automated machinery in return.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Technology" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="onlinemarketing" label="online marketing" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmedia" label="social media" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[ <span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/auto.JPG"><img alt="auto.JPG" src="http://www.jonathancrossfield.com/blog/images/auto-thumb-250x166.jpg" class="mt-image-right" style="margin: 0pt 0pt 20px 20px; float: right;" height="166" width="250" /></a></span><p>Have you ever known someone who gives a pet name to their car and talks about it as if it was a real person? If you're like me, you think they're slightly kooky for imbuing a pile of machinery with a personality and building an emotional attachment with it. But many businesses continue to hope all their customers are equally illogical by expecting them to form relationships with a brand while only providing them with automated machinery in return.</p>

<p>We know technology makes us lazy. Our tolerance for doing anything seems to have been diminished by our ability to outsource so many of our day-to-day tasks to gadgets, widgets, automated thingummies, machines, appliances and more. Now we're impatient if the web takes more than a few seconds to load or if some complex piece of kit doesn't work for us straight out of the box.</p>

<p>This desire to automate extends to the way we relate to each other too - and this is where it gets dangerous. Many businesses approach the web as a path to automated success and treat their customers as an inconvenience that can be outsourced to technology. With content management systems, email auto-responders, plugins and more, online business owners hope to avoid all that messy, time wasting 'customer engagement'. Instead, they put gimmicks and technologies into their websites, plug it all into Twitter or Facebook, sit back and wait for the money to roll in with push-button convenience.</p>


<p>Just like an automatic car still needs someone in the driver's seat to actually - you know - drive, the internet still needs a human to make it work. Understanding technology is not the way to online success. Being able to code websites or bend javascript to your will or design incredibly complex software means nothing if you don't understand how people will relate to it and use it. And I don't mean how you want them to use it - I mean the way they really will. They won't push that button to do you a favour. They won't befriend your brand or engage with your website if it fakes engagement with them.</p>


<p>Would you ever automate your relationships with your family and friends? Of course not. Imagine how your family would feel if the only communication they ever received from you was an email auto-responder message whenever they tried to send you their news.</p>

<blockquote><p>Dear Mum/Dad/sister/aunt Mary, thankyou for your message. I am happy to hear you are well / sad to hear about the illness. Yes, we should have lunch/dinner soon. Please select a date and time in the attached online organiser and you'll receive a confirmation email if your selection is accepted.</p></blockquote>

<p>Yes, ridiculous I know, but isn't that how many online businesses approach their customers? Automated emails and preprogrammed clinical responses delivered by the machine.</p>

<p>You can't automate relationships. If your customers want to communicate with your business, they want to really talk to someone human, someone real, someone who won't just read from the company approved script or talk in corporate-speak after every word has been vetted by five departments.</p>

<p>Technology can help you connect with far more people than ever before in increasingly effective ways, but it doesn't remove your responsibility to behave like a human being.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Three meetings with the black dog</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/three-meetings-with-the-black-dog.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.248</id>

    <published>2009-08-06T01:50:29Z</published>
    <updated>2009-08-06T02:43:53Z</updated>

    <summary>For some reason, discussion this morning on Twitter revolved around experiences of depression, prompted by my mention of medication. Blog posts were swapped and questions asked of each other as we shared our experiences with the black dog. I took the decision a while ago that I would not treat my depression as a personal secret. Hiding this illness is why it is still largely misunderstood in the community. Therefore, I continue to talk candidly and openly about my experiences, unashamed and certainly unafraid.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="General" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="depression" label="depression" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/4795301_blog.jpg"><img alt="4795301_blog.jpg" src="http://www.jonathancrossfield.com/blog/images/4795301_blog-thumb-250x232.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="232" width="250" /></a></span><p>For some reason, discussion this morning on Twitter revolved around experiences of depression, prompted by my mention of medication. Blog posts were swapped and questions asked of each other as we shared our experiences with the black dog. I took the decision a while ago that I would not treat my depression as a personal secret. Hiding this illness is why it is still largely misunderstood in the community. Therefore, I continue to talk candidly and openly about my experiences, unashamed and certainly unafraid.

</p><p>Last year I posted my experiences in detail in an entry titled <a href="http://www.jonathancrossfield.com/blog/2008/10/a-blue-day.html">A Blue Day</a>.</p>

<blockquote><p>Asking a 'normal' person to understand what is going through the mind of someone suffering mental illness is like asking a cow to understand the point of view of a budgerigar. The two sides are so completely different to make mutual understanding very difficult indeed.</p>

<p>Just as a one-legged man can't get up and walk, a depressed person can't perceive the world and emotions in the same way as a healthy person. Depression completely changes a person's world-view. Their logic is completely different from yours and therefore reasoning with them is difficult.</p></blockquote>

<p><a href="http://twitter.com/warwraith">@Warwraith</a> (Warwick Rendell) sent me an exceptional post from earlier this year - <a href="http://www.warwickrendell.com/2008/09/17/depression-in-my-own-words/">Depression in my own words</a>.

</p><blockquote><p>But occasionally, there are those days. Days where the mask is tissue-paper thin. Surviving the day is an act of will that leaves a lingering exhaustion that seeps into your bones. Like a drowning man in a flash flood, you wrap yourself around the hope that the waters will recede soon, and you’ll be safe and dry again.</p>

<p>At least until the next deluge.</p></blockquote>

<p>Warwick concisely sums up how each day can seem like a marathon, expending energy to maintain the facade of normality. He accurately describes the exhaustion that infects every cell, despite having done nothing to merit it. We cling on. And we keep clinging on, because we know what will happen if we let go.</p>

<p><a href="http://twitter.com/andrewbarnett">Andrew Barnett</a> forwarded me a <a href="http://andrewbarnett.tumblr.com/post/29076928/depression-probably-the-most-obvious-condition">link</a> to a quote he had salvaged from a friend's now defunct blog. Antonio, according to Andrew, "suffered epilepsy, severe depression, narcissistic disorder and yet was such a generous, if sharp, presence online." The black dog does not discriminate - the best among us can encounter the blackness. Antonio's description opens up the pain and torment experienced by all who have encountered the black dog.</p>

<blockquote><p>Depression, probably the most obvious condition leading to suicide, is a prison filled with repeat offenders, and the crime of melancholia has a startling recidivism rate. But it is not a prison in which rights are respected, nor is humane treatment the standard fare. Rather, the jailer is a fickle torturer who punishes his charges without mercy. The depressed person inhabits a cell with a tiny window and iron bars, is beaten, burned, electrocuted, and flayed by the guards, left shivering and in pain, while relatives and friends may visit, blind to both the unbearable wounds he suffers and to the bars which hold him. Bewildered, they cannot understand why he doesn’t rise and walk through the empty doorway; they do not understand his pain; and they may inflict guilt or further torture by sneering at his condition or offering pointless advice (“What’s the matter with you? Just leave!”) which only exacerbates his suffering. Because they do not see the bars, the walls, the jailer, the prison grounds, they cannot take his pain seriously. It is an enigma to them. They can give him little, if any, comfort.</p>
<p align="right">Antonio Savoradin</p></blockquote>

<p>Those of us who recognise Antonio's prison know that we are only on parole, probably for the rest of our lives, with the threat of a return to that barred cell always hanging over us. It is a tough reality to know that we stand that much closer to the edge of the precipice than our friends and family who can't even see the cliff.</p>

<p>Yet there is a positive to all these meetings with the black dog. When we leave behind the jail cell and piece together reality in a way that makes sense, we appreciate the good things all the more. Depression gives a scale to happiness.The love I feel for my wife is more powerful than I can describe because I have experienced the other, darker extremes of emotion. The lows place the highs in perspective, the difference so great that happiness seems like riding a massive wave. The world is a wonderful place. There are great things in every single day. </p>

<p>The black dog gave me that.</p>]]>
        
    </content>
</entry>

<entry>
    <title>Social media: When ants take over the world!</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/08/social-media-when-ants-take-over.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.247</id>

    <published>2009-08-03T04:50:28Z</published>
    <updated>2009-08-03T12:35:11Z</updated>

    <summary>One thing is for certain...; the ants will soon be here. And I, for one, welcome our new insect overlords. I’d like to remind them that as a trusted TV personality, I can be helpful in rounding up others to…toil in their underground sugar caves.

Yes, the ants will take over the world. But something tells me Kent Brockman and I have a different idea of what kind of ant we&apos;re talking about.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="ant" label="Ant" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="onlinebusiness" label="online business" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="simpsons" label="Simpsons" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmedia" label="social media" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/hail-ants.PNG"><img alt="hail-ants.PNG" src="http://www.jonathancrossfield.com/blog/images/hail-ants-thumb-250x170.png" class="mt-image-right" style="margin: 0pt 0pt 20px 20px; float: right;" height="170" width="250" /></a></span><blockquote><p>One thing is for certain...; the ants will soon be here. And I, for one, welcome our new insect overlords. I’d like to remind them that as a trusted TV personality, I can be helpful in rounding up others to…toil in their underground sugar caves.</p>
<p align="right">Kent Brockman</p></blockquote>

<p>Yes, the ants will take over the world. But something tells me Kent Brockman and I have different definitions of the kind of ant that will lead this revolution.</p>

<p>To me there is a major difference between those businesses and brands that understand how the web is transforming their world - and those that will end up being rounded up by a yellow-faced Springfield news reader with a one-way ticket to the sugar caves. And it's got nothing to do with technology. </p>



<p>I know I posted this video on the blog last year, but it's highly relevant to this discussion. It may be a couple of years old, but it remains the best illustration of how the web is a human - and not technological - construct.

</p><div align="center">
<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/6gmP4nk0EOE&amp;hl=en&amp;fs=1&amp;" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/6gmP4nk0EOE&amp;hl=en&amp;fs=1&amp;" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></object>
</div>
<br />
<p>What is interesting is that the video wasn't produced by a computer scientist or web programmer. It was produced by Michael Wesch, Assistant Professor of Cultural Anthropology at Kansas State University. That's right - anthropology: the study of human behaviour. <br /></p><p>The web is about people. Web 2.0 is even more about people. Web 3.0
will be even more about people. Technology isn't making success
push-button easy - it's allowing people to share and collaborate in
increasingly ingenious ways. People are the engine of the web. If you
don't account for how they behave, it is like driving a car without
ever realising there's powerful machinery under the hood.</p>And
that doesn't mean the way you would hope they behave, or the best case
scenario you told the board of directors. It doesn't mean the way a
marketing manual from twenty years ago promises you they'll behave in a
time when the internet and mobile devices hadn't redistributed
communication power. It is the way people genuinely do behave; often
surprising, often ingenious, sometimes even stretching legality
(such as with copyright). Anthropology blurs such rules.<br /><br />

<p>An understanding of human behaviour separates those businesses who seem to effortlessly flow through the web attracting an audience of loyal customers and those still looking for the bit of script or neat piece of software that will automise success. They understand what people want to achieve. They genuinely listen and interact. They realise that websites, blogs, Twitter and other networks are just tools, not golden eggs, and any tool used badly won't achieve anything. They are ANTs.<br /></p>

<p>The ANTs will rule - those who remember:</p>

<p><b><font style="font-size: 1.95312em;">A</font>nthropology,<br />
<font style="font-size: 1.95312em;">N</font>ot<br />
<font style="font-size: 1.95312em;">T</font>echnology.</b></p>

<p>...and assess every business decision through that principle and not based solely on whatever shiny new toy just came out. If your strategy fails the ANT test - meaning you can't answer how it taps into true warts-and-all human behaviour - then drop it. It's a dud. <br /></p><p>We see these sugar cave dwellers everywhere: company bulletin boards that no one visits; blogs that are ignored because they never write what people want to read; Twitter strategies that say 'look at me' without ever giving a suitable reason why anyone should; websites that look fantastic but fail to help the customer buy a product in the way they want to.<br /></p><p>Are you an ANT or do you need to learn how to collect sugar in the dark?</p>]]>
        
    </content>
</entry>

<entry>
    <title>Writing dialogue: Saying more with less</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/07/writing-dialogue-saying-more-with-less.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.245</id>

    <published>2009-07-27T10:58:26Z</published>
    <updated>2009-07-31T05:01:53Z</updated>

    <summary>Dialogue is one of the most challenging skills a writer has to develop. Producing words that sound natural and - above all - human, takes real talent and hard work. As discussed previously when analysing The Assassination of Jesse James, people rarely say what they actually mean, necessitating the writer to imbue dialogue with subtexts and subterfuge.</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Writing for Film" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Writing for Television" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="charliebrooker" label="Charlie Brooker" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="screenwipe" label="Screenwipe" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="tonyjordan" label="Tony Jordan" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="writingdialogue" label="writing dialogue" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><img alt="speechBubble.jpg" src="http://www.jonathancrossfield.com/blog/images/speechBubble.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="147" width="200" /></span><p>Dialogue is one of the most challenging skills a writer has to develop. Producing words that sound natural and - above all - human, takes real talent and hard work. As discussed previously when <a href="http://www.jonathancrossfield.com/blog/2009/04/writing-killer-dialogue-the-as.html">analysing</a> <i>The Assassination of Jesse James</i>, people rarely say what they actually mean, necessitating the writer to imbue dialogue with subtexts and subterfuge.</p>

<p>Yet, people are generally lazy in their speech patterns. We are immensely economical and will never use five words where one would do - less if possible. Tony Jordan is one of the great writers behind <i>Life on Mars</i> and <i>Hustle</i>. Here, interviewed by Charlie Brooker for the <i>Screenwipe</i> program, he explains what makes good dialogue.</p>

<div align="center">
<object height="344" width="425"><param name="movie" value="http://www.youtube.com/v/iJCY2rw_vAA&amp;hl=en&amp;fs=1" /><param name="allowFullScreen" value="true" /><param name="allowscriptaccess" value="always" /><embed src="http://www.youtube.com/v/iJCY2rw_vAA&amp;hl=en&amp;fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" height="344" width="425"></object>
</div>
<br />
<p>It is such a common mistake to write verbose, overlong dialogue because that's how we write down ideas. but verbal communication is far more tied up in the expressions, tone and actions, allowing to convey meaning with far less. A look, a sigh, a gesture - coupled with the right word can say the same as an entire paragraph.</p>

<p>Next time you're watching a film, pay attention to how economical the dialogue is.</p>

<p> <font size="1">(The above clip is copyright the BBC from Charlie Brooker's Screenwipe program. No infringement of copyright is intended - just a clip to make a point. Follow <a href="http://twitter.com/charltonbrooker">Charlie Brooker</a> on Twitter.)</font></p>]]>
        
    </content>
</entry>

<entry>
    <title>It&apos;s a miracle - Marvelman is back</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/07/its-a-miracle-marvelman-is-back.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.244</id>

    <published>2009-07-25T01:54:13Z</published>
    <updated>2009-07-25T22:28:20Z</updated>

    <summary>Regular readers know I blog, tweet and otherwise participate on the web under the name &apos;Kimota&apos;. Some have assumed it is some anime reference or obscure Japanese word. But those who recognise it will know why today I&apos;m as excited as a teenageer in Angelina Jolie&apos;s bedroom.
</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Writing for Comics" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="alanmoore" label="Alan Moore" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="comics" label="comics" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marvelcomics" label="Marvel comics" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="marvelman" label="Marvelman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="miracleman" label="Miracleman" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="neilgaiman" label="Neil Gaiman" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/normal_MarvelmanByJoeQuesada.html" onclick="window.open('http://www.jonathancrossfield.com/blog/normal_MarvelmanByJoeQuesada.html','popup','width=499,height=750,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.jonathancrossfield.com/blog/images/normal_MarvelmanByJoeQuesada-thumb-200x300.jpg" width="200" height="300" alt="normal_MarvelmanByJoeQuesada.jpg" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span><p>Regular readers know I blog, tweet and otherwise participate on the web under the name 'Kimota'. Some have assumed it is some anime reference or obscure Japanese word. But those who recognise it will know why today I'm as excited as a teenager in Angelina Jolie's bedroom.</p>

<p>Joe Quesada - editor-in-chief of Marvel Comics - <a href="http://www.newsarama.com/comics/090724-sdcc09-cup-o-joe.html">announced</a> just hours ago at the San Diego Comic-Con that Marvel has bought the rights to Marvelman from creator Mick Anglo. If you're not familiar with Marvelman, or the US version reprinted as Miracleman, then you have no idea why this is momentous. It finally brings to an end about 15 years worth of legal wranglings, court battles, name calling and - more importantly - Marvelman/Miracleman out of print.</p>

<blockquote><p>"Marvel has purchased the rights to Marvelman," Quesada said. "It is arguably the J.D. Salinger of comic book characters. Arguably one of the most important comic book characters in decades."</p></blockquote>

<h2>Why should I care?</h2>

<p>Marvelman is the lost classic of modern comics. Charles Dickens' died before finishing&nbsp;<i>The Mystery of Edwin Drood</i>, but it remains in print in numerous editions. But imagine if the book was never published. Not only that, but imagine that because of the legal fight over the rights to publish&nbsp;<i>Edwin Drood</i>, all other Dickens' novels were kept long out of print. Well, we wouldn't let that happen, would we. Yet that is exactly what happened to Marvelman.</p>
<p>You might think me to be overstating the value of Marvelman by comparing him to Dickens, but in every genre and every medium, there will be those creations that surpass the form. In the world of superhero comics, Alan Moore's&nbsp;<i>Watchmen</i>&nbsp;raised the form to literary heights and is recognised as one of the great novels of the Twentieth Century. Neil Gaiman's&nbsp;<i>The Sandman</i>&nbsp;equally stands as a notable literary work beyond its superhero comic roots.&nbsp;<i>Marvelman</i>&nbsp;sees Moore and Gaiman work on the same character to create something that - in my opinion - surpasses both their individual works.</p>

<h2>Marvel's announcement</h2>

<p>Quesada's announcement yesterday is a brilliant final blow by Marvel. Rumours that Anglo was reasserting his ownership of the character had recently begun to surface. Marvel going straight to Anglo and buying the character gives them by far the biggest claim over the various - largely bankrupt - publishers that followed. Whether Anglo did still have all the rights becomes a moot point as any dissenting voice would have to challenge the full weight of Marvel in court - and that would be plain suicidal. In effect, Marvel has enacted the&nbsp;<a href="http://en.wikipedia.org/wiki/Gordian_Knot" style="text-decoration: underline; ">Gordian Knot</a>&nbsp;solution - if the knot cannot be undone, slice through it. The original creators will be looked after and McFarlane is left out in the cold.</p>

<blockquote><p>It is an honor to work with Mick Anglo to bring his creation to a larger audience than ever before," said Dan Buckley, CEO &amp; Publisher, Print, Animation &amp; Digital Media, Marvel Entertainment Inc. "Fans are in for something special as they discover just what makes Marvelman such an important character in comic book history."</p></blockquote>

<p>Marvel has also released a Marvelman <a href="http://shop.marvel.com/cat/Marvelman-Exclusive-Adult-T-Shirt.html">t-shirt</a> to coincide with the announcement, but it isn't available outside of the US and Canada. (Little help?)</p>

<p>The full Marvel press release is available <a href="http://marvel.com/news/comicstories.8869.Marvelman_Now_A_Part_of_Marvel_Comics~excl~">here</a>.</p>

<h2>What does it all mean?</h2>

<p>According to Rich Johnston (<a href="http://twitter.com/richjohnston">@richjohnston</a>) over at <a href="http://www.bleedingcool.com/2009/07/24/marvel-to-publish-mick-anglos-marvelman-and-they-own-it/">Bleeding Cool</a>, the Marvel deal will see reprints of the original Anglo Marvelman material starting in 2010.</p>

<p>Understandably, most interest is in whether Marvel intends to reprint the long out-of-print Moore and Gaiman storylines and allow Gaiman to continue his run. Marvel have been in <a href="http://www.forcesofgeek.com/2009/07/kimota-marvel-announces-return-of.html">talks</a> with Gaiman over the character since at least 2007 and Mark Buckingham (artist on the Gaiman issues) appeared on the Comic-Con panel alongside Quesada. Reference was also made to Marvel contacting all the relevant creators of the 80s/'90s material to negotiate.</p>

<h2>A brief history</h2>

<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/mrvmn033.html" onclick="window.open('http://www.jonathancrossfield.com/blog/images/mrvmn033.html','popup','width=345,height=493,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.jonathancrossfield.com/blog/images/mrvmn033-thumb-100x142.jpg" width="100" height="142" alt="mrvmn033.jpg" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span><p>Some of you reading this may already be all too familiar with Marvelman's convoluted history. If so, just skip to 'Hopes and Fears' at the end of this post.</p><p>Marvelman (<a href="http://en.wikipedia.org/wiki/Marvelman">Wikipedia</a>) was originally created by Mick Anglo back in 1954 for British comic publisher L. Miller &amp; Son. Designed as a replacement for the Captain Marvel comic strip that had run successfully for years, Marvelman shares a lot of similarities with that character. </p>

<p>Just as in the Captain Marvel comics, Marvelman was soon joined by sidekicks Young Marvelman and Kid Marvelman (modelled on the characters Captain Marvel Jr and Mary Marvel). Instead of Shazam, the magic word was Kimota (get it now?). Uttering the magic word transformed Micky Moran, Dicky Dauntless (don't laugh) and Johny Bates into their superpowered alter-egos for bright and fun adventures pitted against the evil Professor Gargunza - himself a shameless imitation of Captain Marvel's chief villain, Professor Silvana.</p>

<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/Warriormag02.jpg"><img alt="Warriormag02.jpg" src="http://www.jonathancrossfield.com/blog/images/Warriormag02-thumb-100x137.jpg" width="100" height="137" class="mt-image-left" style="float: left; margin: 0 20px 20px 0;" /></a></span><p>Knock-off or not, Marvelman built a loyal following and ran until the mid 1960s before cancellation. But not before the character had made an impression on the young <a href="http://www.jonathancrossfield.com/blog/2008/05/alan-moore.html">Alan Moore</a>, writer of <i>Watchmen</i> and one of the most lauded creators in comics to this day. When his career was starting off in the early 1980s, he was given the opportunity to revive Marvelman for the new <i>Warrior</i> magazine alongside his other new series, <i>V For Vendetta</i>.</p>

<p>Moore's reboot surprised everyone. It was thoughtful, intelligent, adult and genuinely treated the readers with respect. After <i>Warrior</i> folded, Moore's episodic tales were both still unfinished. DC Comics bought the rights to <i>V For Vendetta</i>, allowing Moore to complete it as a ten part miniseries. Marvelman had a harder time finding a new home before it was bought by Eclipse Comics. Objections from, ironically,  Marvel Comics necessitated the change of name from Marvelman to Miracleman - something which the new announcement has reversed.&nbsp;</p><span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/miracleman01.html" onclick="window.open('http://www.jonathancrossfield.com/blog/images/miracleman01.html','popup','width=300,height=471,scrollbars=no,resizable=no,toolbar=no,directories=no,location=no,menubar=no,status=no,left=0,top=0'); return false"><img src="http://www.jonathancrossfield.com/blog/images/miracleman01-thumb-150x235.jpg" width="150" height="235" alt="miracleman01.jpg" class="mt-image-right" style="float: right; margin: 0 0 20px 20px;" /></a></span><p>After Eclipse finished reprinting the <i>Warrior</i> material, Moore was able to continue and complete the storyline. Following his final issue #16, Moore handed creative control over to <a href="http://journal.neilgaiman.com/">Neil Gaimain</a>. Gaiman is now best known as the multi-award winning writer of <i>The Sandman</i> series and a number of best selling novels, including <i>American Gods</i> and <i>Annansi Boys</i>. Recently, his work has been adapted into brilliant films such as <i>Stardust</i> and <i>Coraline</i>. Miracleman was in safe hands. </p>

<p>But Eclipse Comics was in trouble. Issue #24 was the last before Eclipse went bankrupt. Gaiman had just started the second major storyline in a trilogy only for the series to be cut off yet again. Marvelman, despite being one of the most critically acclaimed comics of the day, seemed to be cursed.</p>

<p>A full account of the history of Marvelman and his eventful transition into US comics can be found <a href="http://www.worldsgreatestcritic.com/miraclemansaga.html">here</a>.</p>

<h2>"I'll see you in court!"</h2>

<p>For years, the character and the reprint rights have been in legal limbo. Various creators and publishers insisted they owned part or all of the rights to the character and the published material. Todd McFarlane - creator of Spawn - bought out everything Eclipse Comics had in a firesale and maintained that he therefore owned the rights to Miracleman. Yet the creators maintained the deal with Eclipse always kept reprint rights and control of the character with them. McFarlane, Gaiman, Moore, Dez Skinn (editor of <i>Warrior</i>) contended that they either still owned or previously had a portion of the rights to the character and had different ideas as to who they had passed those rights to. All the artists including Alan Davis, Gary Leach and Mark Buckingham also had stakes. What had started as a good-willed attempt at sharing the success around all those responsible for the character had devolved into a quagmire of confusion.</p>

<p>Law suits really started kicking back and forth when McFarlane tried to incorporate the character in his Hellspawn comic and released a truly <a href="http://www.spawn.com/news/news6.aspx?id=12098">hideous statue</a>. Gaiman later responded by working with Randy Bowen to release a stunning and <a href="http://www.superherotimes.com/newsarchive/MiracleMan1.jpg">beautiful statue</a> of the character, (can anyone help me track one down?) which again saw legal papers flying back and forth.</p>

<p>I'll spare you the detailed ins-and-outs. A more detailed account of the court case between Gaiman and McFarlane in 2002 can be found <a href="http://www.icv2.com/articles/news/1883.html">here</a>. (Gaiman won on all counts). </p>
 
<h2>Hopes and Fears</h2>

<p>Marvelman - Marvel have consigned the Miracleman name to dust - doesn't come without a certain level of hype. The long absence and the high prices for back issues on eBay have created a mythic stature for these comics - one that any new material from Marvel will have to live up to. Starting with reprints of the Anglo material is an obvious first move, especially as this was undoubtably part of the deal with Anglo himself to get his material back into the marketplace. But fans are more concerned with the continuation of a story curtailed back in 1994.</p>

<p>Quesada understands the need to maintain Marvelman as an elite comic. He cites Marvelman as one of the inspirations for him entering comics, meaning he is one of us - a fan. The character could never realistically be drawn into the Marvel Universe proper to star alongside Spider-Man and others. Creatively, it wouldn't fit. Ditto any other creative team. Buckingham's presence on the panel should be seen as an indication that he's on board. Gaiman's previous conversations with Marvel should hopefully mean his involvement is now merely a formality.</p>

<p>It is a miracle - Marvelman is back.</p>

<p>Kimota!!</p>]]>
        
    </content>
</entry>

<entry>
    <title>The coming of Borg: You will be assimilated!</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/07/the-coming-of-borg.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.243</id>

    <published>2009-07-23T04:45:55Z</published>
    <updated>2009-07-23T06:05:52Z</updated>

    <summary> I love it when popular culture memes slide over into the general lexicon. One such word that seems to be making the transition from fiction to fact is &apos;borg&apos;. Just recently, I&apos;ve come across the word a couple of times - not in reference to the Star Trek villains, but as a descriptive word aimed at large companies. </summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Social Media" scheme="http://www.sixapart.com/ns/types#category" />
    
        <category term="Technology" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="borg" label="Borg" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="culture" label="culture" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="socialmedia" label="social media" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="society" label="society" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="startrek" label="Star Trek" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[ <span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/borg.jpg"><img alt="borg.jpg" src="http://www.jonathancrossfield.com/blog/images/borg-thumb-250x193.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" height="193" width="250" /></a></span><p>I love it when popular culture memes slide over into the general lexicon. One such word that seems to be making the transition from fiction to fact is 'borg'. Just recently, I've come across the word a couple of times - not in reference to the <em>Star Trek</em> <a href="http://en.wikipedia.org/wiki/Borg_%28Star_Trek%29">villains</a>, but as a descriptive word aimed at large companies. Scott Heiferman, founder of <em>Meetup</em>, is quoted by <a href="http://www.buzzmachine.com/">Jeff Jarvis</a> in his new book <em>What Would Google Do?</em>, talking about the insurance industry, where he refers to "the corporate borg (AIG)" and "the government borg (social security)".</p>

<p>Note the small 'b'. This isn't a proper noun but a common one, demonstrating the transition from fictional name to real-world concept. But what is a 'borg' exactly?</p>

<p><a href="http://dictionary.reference.com/browse/borg">Dictionary.com</a> describes it thus:</p>

<blockquote><p><b>Borg</b></p>
<p>n. In "Star Trek: The Next Generation" the Borg is a species of cyborg that ruthlessly seeks to incorporate all sentient life into itself; their slogan is "Resistence is futile. You will be assimilated." In hacker parlance, the Borg is usually Microsoft, which is thought to be trying just as ruthlessly to assimilate all computers and the entire Internet to itself (there is a widely circulated image of Bill Gates as a Borg). Being forced to use Windows or NT is often referred to as being "Borged". Interestingly, the Halloween Documents reveal that this jargon is live within Microsoft itself. (Other companies, notably Intel and UUNet, have also occasionally been equated to the Borg.) See also Evil Empire, Internet Exploiter.</p></blockquote>

<h2>Who is the Borg?</h2>

<p>One of the primary concepts of the fictional Borg was that connecting people via technology into one hive-mind was a distasteful and horrific fate. Hence why the threat of 'assimilation' was a threat and not an invitation. In the Star Trek universe, connecting a population together as one collaborative entity was a direct challenge to the idea of freedom and individuality. The Borg are portrayed as soulless zombies sharing one mind. Yet the Borg saw this connectiveness as good and wished to assimilate other races, learning from their experience and knowledge to the betterment of the whole.</p>

<p>Yup, you can see where I'm going already, can't you. We are the Borg - and by jimminy, we want to connect everyone on the planet.</p>

<h2>1989 - Year of the Borg</h2>

<p>But let's skip back to a different time, when the Borg were created. Why did the writers of <em>Star Trek</em> see the concept of connectivity and hive-mind as so horrific? What world created the Borg?</p>

<p>Back in the late '80s and early '90s there was no home internet and no social networking (well, not of the type we now refer to as social networking - people did still talk to each other). Mobile phones were still bricks held by smarmy CEOs rather than teenagers. Text messaging, instant messaging and online communities were ideas from sci-fi. Virtual reality was virtually non existent. Mail was still handwritten and posted. International communication could take days, not seconds. The typical office desk did not have a computer.</p>

<p>Although a technologically primitive time in comparison with today, the pervasive ideology of society was "me - me - me!" The '80s were a time of record prosperity and materialistic consumerism. Yuppies were on the march. Every transaction started with "what's in it for me?" and finished with "gimme!". Society was about individual prosperity, individual wealth, individual achievement and climbing over the person next to you to get to the top. Bush Snr was in the White House, Maggie was in Number 10, after lengthy periods for both parties holding onto government.</p>

<p>It isn't surprising to me that, in this self-centred world, there was fear that collaboration into a larger community could remove those personal achievements. It is exactly the same fear that fuels distrust of socialist ideals. Why share for the goodness of the whole? This stuff is mine - my ideas, my creative property, my money, my taxes, my everything.  </p>

<p>Technology would change all that.</p>

<h2>2009 - The Borg is here</h2>

<p>Today, the internet has created a social(ist) web. The fundamental principle behind the creation of the internet was the sharing and collaboration of content. Putting that facility into the homes - and even the palms - of the average person allowed a cultural and societal shift greater than anything else in centuries - perhaps ever. In 2009, we embrace the hive-mind. We thrive on collaboration. Wikipedia, Digg, Twitter, online communities, forums and more - are all hive-minds. Wikipedia entries are produced by numerous anonymous contributors; correcting, adding and enhancing the content with no expectation of something in return. Smaller hive-minds exist within the larger ones in the form of company intranets, Facebook groups or niche wikis. The web is a hive-mind and we are all connected. We are the Borg.</p>

<p>And we want to be. We choose to be. In fact, we continue to find ways to make those connections stronger, more pervasive. </p>

<p>But this shift from "me-me-me" to willingly contributing to the greater good has not been accompanied with a loss of identity or individual worth. The hive-mind respects each component. The technology actually allows us to break down faceless corporations and humanise them. We even reward those businesses that do so with more business, as was revealed in a <a href="http://www.engagementdb.com/downloads/ENGAGEMENTdb_Report_2009.pdf">report</a> this month by Altimeter and Wetpaint. CEOs are now blogging in a human voice. Major brands are now engaging with their customers in genuinely human relationships. Instead of stripping away identity and humanity, the hive-mind technology has given it back!</p>

<p>What the hive-mind doesn't respect is individual materialism, particularly when it comes to creative property. Once assimilated into the hive-mind, your creative property no longer belongs to you. You can still be recognised as the originator of the content - but you gradually lose control over distribution. The hive-mind won't let you plug in and still operate a "me-me-me" economy where you charge for access. This is the biggest hurdle facing old business models as we move from one world to the next.</p>

<p>What is also interesting is that, just as we have had a mental shift from the individual to the collaborative model, so have our products. Increasingly, products are created that can collaborate with each other. Your GPS plugs into your car to help get you from A to B quicker. Your TV collaborates with your computer to access content and stream video. Your phone collaborates with a bluetooth billboard to download a movie promotion. We are now building devices that work well by themselves, but work even better when collaborating with other tech. How Borgy.</p>

<p>Plus, the obvious collaboration of open source software and the incredible number of apps created by third party enthusiasts for the iPhone continue this trend. Collaboration and interconnectedness now exists at every level of our society, right down to the technology itself.</p>

<h2>Don't be afraid of the Borg!</h2>

<p>The transformation of the fictional Borg into the conceptual real-world borg is based on the original idea of faceless, soulless entities (the corporations) seeking to assimilate more and more people. In fact, the fear of Borg turns out to be an outdated paranoia of times past irrelevant to today's society.</p>

<p>Technology has freed society from an individualist into a collaborative society that views the world very differently. We now increasingly contribute to the whole and greater good, no longer in it for ourselves and may the best man win. Borg is probably not an apt title for those faceless and tyrannical corporations any more. Those corporations betray old-world thinking - refusing to open up to the hive-mind, refusing to be assimilated into our network.  If they're not part of the hive-mind, working alongside us, how can they be borg?</p>

<p>I am borg. If you're reading this, you are borg. We are borg. Resistance is futile. Lets go do some assimilating!</p>

(Picture is copyright Paramount Pictures. No infringement is intended)




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<entry>
    <title>&quot;Ch-ch-ch-ch-ch-changes!&quot;</title>
    <link rel="alternate" type="text/html" href="http://www.jonathancrossfield.com/blog/2009/07/chchchchchchanges.html" />
    <id>tag:www.jonathancrossfield.com,2009:/blog//1.242</id>

    <published>2009-07-22T03:08:58Z</published>
    <updated>2009-07-22T04:03:24Z</updated>

    <summary>...as David Bowie would say, producing great music and providing comfort to stammerers everywhere.

Regular readers may have noticed that I regularly tinker with and adjust this blog in an effort for continuous improvement. The latest changes involve a big change to the comments system that should hopefully provide greater interactivity and more ways for you to get involved. 
</summary>
    <author>
        <name>Kimota</name>
        <uri>http://www.jonathancrossfield.com</uri>
    </author>
    
        <category term="Blog Writing" scheme="http://www.sixapart.com/ns/types#category" />
    
    <category term="comments" label="comments" scheme="http://www.sixapart.com/ns/types#tag" />
    <category term="jskit" label="JS-Kit" scheme="http://www.sixapart.com/ns/types#tag" />
    
    <content type="html" xml:lang="en" xml:base="http://www.jonathancrossfield.com/blog/">
        <![CDATA[<span class="mt-enclosure mt-enclosure-image"><a href="http://www.jonathancrossfield.com/blog/images/Picture1.jpg"><img alt="Picture1.jpg" src="http://www.jonathancrossfield.com/blog/images/Picture1-thumb-250x250.jpg" class="mt-image-right" style="margin: 0pt 0pt 20px 20px; float: right;" height="250" width="250" /></a></span><p>...as David Bowie would say, producing great music and providing comfort to stammerers everywhere.</p>

<p>Regular readers may have noticed that I regularly tinker with and adjust this blog in an effort for continuous improvement. The latest changes involve a big change to the comments system that should hopefully provide greater interactivity and more ways for you to get involved. </p>

<p>The new comments system, supplied by <a href="http://js-kit.com/">JS-Kit</a>, allows you to add images, hypertext and even YouTube video with a couple of clicks. Avatars will make it easier to identify people and multiple log-in options mean you can access additional features (such as tweeting your comment) easily.</p>

<p>This new system will also mean faster moderation - hopefully almost immediate - instead of waiting hours for me to log in and check whether everyone behaved themselves. Too much spam always made it past my spam traps in the old system, necessitating such strict moderation, but the initial signs are that this system may not suffer the same problem. This means people can see their comments appear almost instantly and interact far quicker than before. The excessive moderation always hampered discussion on the blog, so I hope this encourages greater interaction - especially as you can now reply specifically to a particular comment.</p>

<p>There is now a 'rating' system as well, allowing readers to rate each post from one to five stars. You don't need to leave a comment to rate a post, you can just click on the stars. By rating posts, it will allow the blog to easily sort the most popular and best entries and serve them up in the future to new visitors.</p>

<p>But don't fret - if you don't have a log in and prefer the old simple way of leaving a comment, you still can. Merely select "Leave comment as: Guest" and you can enter the nickname, email and url (both optional) just as before.</p>

<p>The previous commenting system has been switched off for now. All those comments are archived in the old format beneath the new system, so everything is still available to read on those older posts.</p>

<p>Of course, with anything new I expect teething problems. There will obviously need to be some fine-tuning and adjustment as I skin and experiment with the new system. Importantly, if anyone has a problem with the new system, or sees their comments disappear or any other weird behaviour, please let me know via the <a href="http://www.jonathancrossfield.com/contact.html">contact form</a>.</p>]]>
        
    </content>
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